Japanese Rare and Unique Collections at KU: Falconry: In Japanese History and Literature

Falcon History in Japan

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The scanned illustration from 初編上 depicts Ariwara no Narihira (825-880), on the horse, doing falconry in a field. Narihiwa, a Japanese courtier and famous waka poet, was also known for his falconry. Title: 「在原業平交野鷹狩之圖 (Ariwara no Narihira no ni majirite taka o karu no zu)」This depicts Narihira, one 鷹匠 (takajō = hawker), 勢子 (seko = beater), 侍者 (jisha = attendant). 

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The scanned illustrations from 二編上 feature clothes for falconry. 

The scanned illustrations from 二編下 introduces the different pattern (design?) of yabane (feather of an arrow) and names of the body parts of a hawk. 

To see other the other holding libraries and digital images, go to the Union Catalogue of Early Japanese Books, The National Institute of Japanese Literature: http://dbrec.nijl.ac.jp/KTG_W_2054742. Also, see the National Diet Library’s digital collection: https://dl.ndl.go.jp/info:ndljp/pid/850049  

For the scholarly discussion on Kyōsai and Ehon taka kagami, see: https://catalog.lib.kyushu-u.ac.jp/opac_download_md/2236356/p001.pdf 

Falcon History in Japan

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Several versions have been uploaded online: 

https://kotenseki.nijl.ac.jp/biblio/100371336/viewer/1 (held by 宮内庁書陵部) 

https://kotenseki.nijl.ac.jp/biblio/100371337/viewer/1 (held by 宮内庁書陵部) 

https://kotenseki.nijl.ac.jp/biblio/100206226/viewer/1 (held by 丹波篠山市教育委員会 青山歴史村) 

To see more, search 新日本古典籍総合データベース on https://kotenseki.nijl.ac.jp/ 

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There are two entries of this title in the Imperial Household Agency’s Library (copied in 1844 and 1860), but no image is available. Can be access at http://dbrec.nijl.ac.jp/KTG_W_4198452 

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Poems on Falconry

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Digital images (original edition) are available in the Union Catalogue of Early Japanese Books, provided by the National Institute of Japanese Literature. To see the bibliographic record, holding libraries of this collection and digital images, go to: http://dbrec.nijl.ac.jp/KTG_W_188998

Also, for the digital images of 「鷹三百首」, go to: https://rmda.kulib.kyoto-u.ac.jp/item/rb00015000

Zegaibō ekotoba: Nijō Tameshige-bon : Kansei Bunka-goro utsushi 是害坊繪詞: 二條為重本 : 寬政文化頃寫

This Japanese paper scroll containing the second part of the Tale of Zegaibō, a well-known story from Japanese folklore, was created in the late mid-Edo period around 1789-1818. The story dates from the Late Heian period (794-1185) or earlier and concerns Zegaibō, the great tengu (a sort of bird-like goblin), who travels to Japan from China in 966 with the aim of halting the spread of Buddhism in Japan. The text is illustrated by lively colored paintings. The first scene shows Nichirabō, the leader of the Japanese tengu, sending Zegaibō to Enryakuji Temple on Mt Hiei, the headquarters of the Japanese Tendai sect. The Tendai warriors defeat Zegaibō in battle. The second scene shows the wounded Zegaibō on a stretcher. The third scene depicts the Japanese tengu treating Zegaibō’s injuries with a hot bath and a medicinal drink, which revive him. In the fourth and final scene, Nichirabō and the Japanese tengu prepare to bid Zegaibō farewell before he flies back to China.

The pictorial works on Zegaibō have several variations, and they are usually called either “Zegaibō emaki (picture scroll)” or “Zegaibō ekotoba (picture and texts).” The only complete scroll surviving today is held in the Manshuin Temple in Kyōto. The end of our scroll says 「冷泉 左中将 藤原為清 (The Reizei Family Left Lieutenant Fujiwara Tamekiyo)」with the date 「寛文五 (1665)」.  Therefore, this is a print copy of the work with Fujiwara Tamekiyo’s postscript dated 1665. The original of this scroll is currently held at Izumiya Sen-oku Hakukokan Museum which is famous for the collection of Sumitomo Kichizaemon VII.

The box of our scroll has a note of authentication,「二条為重本 是害坊絵詞 寛政文化頃寫 (Nijō Tameshige version Zegaibō Picture and Text, copied around Kansei-Bunka 1789-1818)」. This authentication was probably done by 森銑三 (Mori, Senzō) . KU’s collection was once owned by Shigeo Sorimachi, an antiquarian bookstore owner and manuscript connoisseur. The online digital collection of this scroll through the Kenneth Spence Research Library can be found here.